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Archivistics --- Library automation --- Library materials --- Archival materials --- Image processing --- Digital preservation --- Documentation de bibliothèque --- Documents d'archives --- Traitement d'images --- Numérisation --- Digitization --- Digital techniques --- Techniques numériques --- Documentation de bibliothèque --- Numérisation --- Techniques numériques

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A major anthology of historic and contemporary writings by over 200 contributors, providing a rigorous and expansive survey of the photographic medium from its inception to our current moment. Edited by Walead Beshty, this exceptional publication includes texts and artworks by Giorgio Agamben, Roland Barthes, Georges Didi-Huberman, Stan Douglas, Harun Farocki, Martha Rosler, Stephen Shore, Hito Steyerl, Wolfgang Tillmans, Ericka Beckman, Walter Benjamin, Walker Evans, László Moholy-Nagy, Marshall McLuhan, Alan Turing, Dan Graham, Morgan Fisher, Kelley Walker… Curated by Walead Beshty, the exhibition “Picture Industry” explores the rich history of mechanically reproduced imagery from the 19th century to the present. It reflects upon transformations in the production, distribution, and consumption of photographic images as realized through its varied constructions of the corporeal, from its origin as a scientific tool and a means of cultural investigation to its phenomenological effects on the viewer. The exhibition complexifies traditional accounts of the medium, drawing on its application within science and the humanities to contemporary art, and includes works and photographic documents by over 100 artists and practitioners spanning the late 19th century to the present.To accompany and extend the exhibition, Picture Industry—A Provisional History of the Technical Image, 1844–2018 is a major anthology of historic and contemporary writings by over 200 contributors, providing a rigorous and expansive survey of the photographic medium from its inception to our current moment. It offers a resource through which to consider dominant threads in aesthetic theory, including selections from structuralist and poststructuralist explorations of representation, to German media theory, the study of cultural techniques, and the still-burgeoning realm of new media theory. Rather than attempting a definitive history, the publication posits an alternative approach to the myriad questions and debates associated with representation, presenting its technological history as inextricable from the social history of media, and staging this through the complex and multivalent relationship between the photographic image and the body, whether the body of the viewer, or that of the image. It includes excerpts and reprints of seminal texts, facsimiles of historical publications, and a series of edited conversations with artists Stan Douglas, Hito Steyerl, Martha Rosler, Stephen Shore, and Wolfgang Tillmans.Contributors include Ariella Azoulay, Ericka Beckman, Walter Benjamin, Alphonse Bertillon, Sarah Charlesworth, Walker Evans, Vilém Flusser, LaToya Ruby Frazier, Tristan Garcia, Dan Graham, Morgan Fisher, Lyle Ashton Harris, John Heartfield, Arthur Jafa, László Moholy-Nagy, Marshall McLuhan, Edweard Muybridge, Gordon Parks, Jacob Riis, August Sander, Wolfgang Tillmans, Alan Turing, and Kelley Walker.

Photography --- image-making processes and techniques --- image processing --- Graphics industry --- reproductions --- anno 1800-1999 --- anno 2000-2099 --- Grafische industrie --- Fotografie --- beeldvervaardigingsprocedés en -technieken --- digitale beeldbewerking --- reproducties --- Images, Photographic --- fotografie --- kunst --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- fotografiegeschiedenis --- fotografietheorie --- kunsttheorie --- film --- filmtheorie --- kunst en politiek --- activisme --- 7.039 --- Photographic images --- Image processing --- Imaging systems --- Optical images --- Photographs --- History --- Philosophy --- Exhibitions --- reproductions [derivative objects] --- Technologie et art --- Image --- Iconographie --- Sociologie de la communication --- Analyse de l'art --- Fotografie. --- Illustration. --- Image processing. --- Printing processes --- Printing processes. --- Illustration of books --- Fotografie en maatschappij --- Beshty, Walead °1976 (°Londen, VK) --- Fotografie ; geschiedenis ; 19de en 20ste eeuw --- Reproductietechnieken; digitale technieken --- Fotografie ; theorie ; het gefotografeerde onderwerp ; model --- Fotografie ; theorie ; beschouwing ; analyse --- 77(091) --- 77.01 --- Fotografie ; geschiedenis --- Fotografie ; theorie, filosofie, esthetica

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Art --- Decorative arts --- Industrial arts --- Advertising. Public relations --- Graphic arts --- graphic design --- grafische vormgeving --- 766 <05> --- #ANTIL0204 --- Rubriek serials: grafische- en reclamevormgeving --- CH / Switzerland - Zwitserland - Suisse --- 766 <05> Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek--Tijdschriften --- Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek--Tijdschriften --- Periodicals --- Arts and Humanities --- Information Technology --- Telecommunications Technology --- Performing Arts, Travel and Leisure --- Graphics --- Multimedia --- Communication Networks & Technology --- Image Processing & Television Technology --- grafische vormgeving (ok) --- advertising --- marketing --- illustrations [layout features]

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"Dieser Sammelband ist eines der wichtigsten Werke, das die neue Rolle der Bibliotheken darstellt, und bildet daher die theoretische Basis für alle neuen Bibliotheksbauten. Es zeigt innovative Entwicklungen und Visionen auf, wie zukünftig Bibliotheksplanung und Bibliotheksbau im Dialog zwischen Architekten und Bibliothekaren aussehen kann."Prof. Dr. Claudia Lux, Generaldirektorin der Stiftung Zentral- und Landesbibliothek Berlin "This collective volume is one of the most important works presenting the new role of libraries and therefore provides the theoretical basis for all new library buildings. The book presents innovative developments and visions of how library planning and construction can be implemented in the future in a dialogue between architects and librarians."Prof. Dr. Claudia Lux, Director General of the Foundation Central and Regional Library Berlin

Library buildings --- Library architecture --- Sustainable buildings --- Ecologically sustainable buildings --- Environmentally sustainable buildings --- Green buildings (Green technology) --- Buildings --- Sustainable development --- Buildings, Library --- Libraries --- Public buildings --- 022 --- 727.8 --- 727.8 Bibliotheekgebouwen. Gebouwen voor documentatie. Archiefgebouwen. Octrooikantoorgebouwen --- Bibliotheekgebouwen. Gebouwen voor documentatie. Archiefgebouwen. Octrooikantoorgebouwen --- 022 Bibliotheekgebouwen. Bibliotheekinrichting --- Bibliotheekgebouwen. Bibliotheekinrichting --- Library planning --- Bibliothèques (Edifices) --- Bibliothèques --- Congresses. --- Congresses --- Congrès --- Planification --- Library planning and design --- Library architecture. --- libraries --- Information retrieval --- diffusion of information --- Internet --- Image processing --- design --- Construction --- organizations --- Library buildings - Congresses --- Library planning - Congresses --- Reseau

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681.3*I33 --- 681.3*I33 Picture/image generation: digitizing and scanning display algorithms viewing algorithms (Computer graphics) --- Picture/image generation: digitizing and scanning display algorithms viewing algorithms (Computer graphics) --- Computer drawing --- Computer graphics --- Dessin par ordinateur --- Infographie --- 681.3*I33 Picture/image generation: digitizing and scanning; display algorithms; viewing algorithms (Computer graphics) --- Picture/image generation: digitizing and scanning; display algorithms; viewing algorithms (Computer graphics) --- Automatic drafting --- Graphic data processing --- Graphics, Computer --- Computer art --- Graphic arts --- Electronic data processing --- Engineering graphics --- Image processing --- Drawing --- Digital techniques